I think it was sometime around Marvel kicking off Phase Two of their Cinematic Universe that some online critic pointed out that the superhero genre was starting to branch out: the first Thor movie was almost a straight romantic comedy, fans were clamoring for a Black Widow spy movie, and rumors about Ant-Man’s heist plot sparked excited rumors quite early. With Daredevil and Jessica Jones, Marvel entered the world of superhero noir. While you’d think Batman would already have that market cornered, both shows were a big hit.
Big fan of either of them? Weavers may be right up your alley.
Writer Simon Spurrier takes the “show don’t tell” approach to world-building quite literally. While we open on presumed anti-hero protagonist Sid Thyme, newly anointed member of the Weavers, we have no idea who the Weavers are or what they do beyond a general mafia-esque atmosphere. We piece together parts of Sid’s backstory and what makes the Weavers so special amongst the underworld elements as Sid goes through his first few assignments for “the family”, as they call themselves. 
This will really reel a reader in, making them feel invested in uncovering more of the story- or completely turn them off, with not enough information to keep them engaged. Sid is set up to be slightly different from the rest, with a supposedly unhealthy level of curiosity and something of a moral quandary when it comes to the more shady dealings of the Weavers. I do think Spurrier has set Sid up to be enough of a sympathetic characters for readers to latch onto, and that the piecemeal reveal of the Weavers’ world will pay off with a majority of readers.
Illustrator Dylan Bennet creates an atmosphere that is appropriately dark and gritty, not in an entirely unpleasant way- unless it is in a scene that is meant to be unpleasant. Bennet shows a distinct talent for emphasizing the negative effects of the abilities of the mysterious Weavers, whether that’s in literally boiling someone’s blood or complete evisceration. The blending of the noir/criminal underground and distinctly more sci-fi feel of these abilities is extremely well done, and results in a very original look and feel. Colorist Triona Farrell also needs credit for excellent work with the red accents on each member of the Weavers- uniform but also distinct to their personalities- and the sepia filter on Sid’s brief flashbacks.
I’m really interested in seeing where this six issue first run goes, and I highly recommend it.
