horror

Billed as a Sci-fi horror, you might expect a particular kind of film going into Starfish, but fairly soon into it, you realise it is so much more. This debut feature by director A.T. White is a difficult film to categorise, but in many ways this is its strength.

As the internet expands and becomes more and more integral to daily life, social constructs, identities, and career choices have evolved to be much more complex.  Daniel Goldhaber’s debut feature, Cam, co-written with Isa Mazzei, is a dark, supernatural, and technological twist on the idea of lost identity and agency, echoing Hitchcock and Lynch.

After his last strange film ‘The Lobster’ (2015), director Yorgos Lanthimos returns with another very idiosyncratic film: ‘The Killing of a Sacred Deer’.

Loot Crate’s October 2016 Horror core subscription box unearthed graves, the nightmare world of Nightmare on Elm Street, and Leatherface’s cannibal larder to provide subscribers with the most horrific gobbets …
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Stranger Things dropped on Netflix two months ago, and ensnared our collective consciousness. It’s an 80’s homage without being derivative, paying respects to the giants of horror and sci-fi of …
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This attempt at a Swamp Thing relaunch contains beautiful art and horrible sentences.

When you add everything up, Injection #1 is worth your time and attention. Even where the work is inconsistent on the art side, it’s always interesting. Warren Ellis also brings everything to the table that you could ask of an Ellis book: it’s weird, it’s funny, it’s dense, and it’s going to leave you wanting more.

Titan Comics has released an advance preview of Surface Tension #2, the second issue of Jay Gunn’s ecocatastrophe horror comic.  British comics writer Pat Mills has called Surface Tension “a story for …
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A deadly red growth is exposed to the surface of the Earth by deep digging into Earth’s crust, and now, ten years later, one man with a baby must fight …
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All major film festivals have given their verdicts, the Golden Globes have just passed and the Oscars are already in sight. The world of film of 2014 is about to …
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Done well, the mockumentary is a very funny style of film, revelling in the mundane of interesting or outlandish characters (think Spinal Tap, Man Bites Dog). Done poorly, …
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Grant Morrison came into Nameless fully loaded. It’s got aliens, it’s got secret societies, it’s got that weird vaguely sexual thing going on, it’s got dream logic, it’s got something approaching drug logic — all the Grant Morrison trademarks are there, backed up by Chris Burnham doing the work of his career. But: does it all add up?