Movie Review

Wonder Woman is the fourth film in the DCEU and as it stands – it is the best one yet. A comic book film that marries modern day comic book …
Read More

The Guardians are back and this time it’s (even more) emotional. [Spoiler Free]

After a short trip backward in time featuring a digitally de-aged Kurt Russell, we jump forward 34 …
Read More

In some ways it’s a shame that Deadpool came along at the start of the slew of superhero films for 2016 because this film would have gleefully washed away …
Read More

Sequels are tricky, especially when there is a sizable lapse between them and such is the case with Zoolander 2. Zoolander was a film that seemed to creep up on …
Read More

Mark Wahlberg and Seth McFarlane are at it again with a sequel to the hit movie starring America’s living teddy bear. Ted 2 is pretty much what you would …
Read More

In the current political and social climate that we live in, the creative team behind Jurassic World had a really big chance to make something that was not only a CGI …
Read More

Why Don’t You Play In Hell? is a very strange film. A painstaking (and not in a good way) lead up to what can only be described as one …
Read More

Bobcat Goldthwat crams his hat into the over bloated ring that is the found footage genre with the Bigfoot themed Willow Creek. Jim and his girlfriend Kelly are visiting the infamous Willow Creek, the alleged home of the original Bigfoot legend (the tale of huge ape like creatures that roam the forests of North America). It was there, in 1967, the legendary beast was captured on film and has terrified and mystified generations since.

Director Gareth Edwards expertly creates the most enjoyable big budget film experience in quite some time and in the process makes big budget monster movies relevant again. Welcome back, Godzilla!

Quite often indie films sneak up on you and blow your socks off. Cheap Thrills had a heap of buzz from various film festivals and sometimes that sets expectations too high. Cheap Thrills not only meets those expectations but then goes beyond them, in what is surely one of the sickest morality tales in a long time.

Grand Piano plays like a more mobile and less frantic Phone Booth. Eschewing the ‘punishing the wicked’ modus operandi from Phone Booth, it does keep the same kind of tension. However, to compare the two films is a bit unfair as the films are vastly different, but have the one common element tying them together.

In Martin Scorsese’s latest crime opus, The Wolf Of Wall Street, he dumps organised crime in favor of bizarre but good old-fashioned white-collar crime and the results are still exhilarating. Long time collaborator Leo DiCaprio and Scorsese have created a blistering portrait of the so-called “Wolf Of Wall Street”, Jordan Belfort. Based on the book of the same name, it tells the story of how Jordan Belfort cheated the system and in turn made obscene amounts of money.